By appropriating its power and reinventing how it is used, they explode the Word a second time.Ī presente dissertação visa realizar uma leitura de Nove Noites (2002), de Bernardo Carvalho, a partir da noção de desamparo, tal como desenvolvida na psicanálise por Sigmund Freud, dessa maneira, a análise ressaltará também as consonâncias entre literatura e psicanálise. However, the narrators then take up the Word to write new realities. On one hand, the progressive entropy in the system can be said to "explode" the Word. As we examine three novels by Carvalho, Nove noites, Mongólia, and O sol se põe em São Paulo, what emerges is that the same process occurs when the undelivered letters of Manoel Perna, the Westerner, and Michiyo fall into the hands of the books' narrators. A singularity as simple as a letter's altered trajectory can result in something new and unexpected at the point of disconnection - such as Braga's crônica. Like the undeliverable letters in Rubem Braga's "O pessoal," rupturing bonds made of words can be as unpredictable as splitting an atom. However, this motif from both Genesis and the New Testament is also mediated by another creation narrative: the Big Bang or Initial Singularity. It forges connections through words between others who are out of place, searching for order in what appears to be chaos. Critics have commented on the power of writing - the biblical Word as creation - in Bernardo Carvalho's work.
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